By Chris Meigh-Andrews
Tracking the altering types of video artwork in terms of the revolution in digital and electronic imaging that has taken position over the last 50 years, A background of Video Art orients video paintings within the wider paintings historic context, with specific connection with the shift from the structuralism of the past due Sixties and early Seventies to the post-modernist matters of the Nineteen Eighties and early Nineteen Nineties. the hot version additionally explores the consequences of the internationalisation of artists' video within the interval prime as much as the recent millennium and its issues and preoccupations together with post-colonialism, the post-medium and the impression and impression of the internet.
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Extra info for A History of Video Art
A History of Video Art by Chris Meigh-Andrews